Bad news:
Like most skills, you have to practice actively engaging with
and analyzing cinema and television to get better at it. “Getting
better at it” in this case means being able to pick out offensive
portrayals (spoiler alert: they're mostly going to be of
minorities!), recognizing denigrating stereotypes, and understanding
what makes a strong character.
Good
news #1: That means you get to watch lots of movies and TV shows! You
can practice this skill literally any time you engage with media. If
you stop to watch three minutes of commercials on your way out the
door, you can analyze it. If you see a newscast or read a newspaper,
you can analyze it. Anything created by a human is considered media,
and anything media, you can (and should!) analyze it. This extends to
things you might not even consider analyzing, like cereal box
packaging and porn mags (I've read fascinating theory on both!).
Good
news #2: Being able to do this well will make you better in multiple
ways. First of all, you'll be a better person. Awareness REALLY IS
the most effective tool in fighting prejudice. Once you understand
the prejudices that are keeping our society- and possibly yourself-
from treating people equally, you can start getting rid of
those prejudices.
(Continued after the break...)
(Continued after the break...)
Furthermore,
when you understand stereotypes, you can avoid reusing them. If you
plan on creating any kind of media in the future, this skill is
invaluable. Obviously, it will help you avoid offending people
through ignorance. Less obviously, you'll be surprised at how
perfectly predictable a lot
of
stories suddenly become because
they
rely so heavily on stupid stereotypes. If you hope to create
something New, Thoughtful, and Interesting, you better understand
what's Old, Exhausted, and Boring.
Example:
the people who created Portal had an excellent understanding of
feminist theory, so much so that it oozes from every pore of the
design. No other game comes close to how unique it is because the
creators understood theory and
used it to their advantage. It wasn't another First Person Shooter
where you murder in a line to freedom (a masculine concept), nor is
it a nonviolent puzzle game where you push around boxes to escape
imprisonment (a feminine concept). It's a perfect combination of the
two, and thus they doubled their potential audience by drawing in
both genders (AND made bank, AND inspired other games, AND changed
our culture for the better).
Having
thus justified my future career, let's jump into it!
1.)
All media was created by someone
This is
a big one. So big I'm going to repeat it. All media was created by
someone. You know this in a common-sensible way, because obviously
somebody wrote that book and drew that comic and filmed that movie.
What I
really mean is that a human being wrote that book, so whatever ideas
and prejudices and desires and world-views that human holds has
influenced their writing. It will inevitably be subjective according
to their experience. They're influenced by the systems they interact
with.
When I
use the word “system” I mean the various groups of people that we
interact with. Examples of systems you might belong to include your
family, church, workplace, and social circles, each with their own
distinct morality and cultural-acceptable norms. The word usage
hearkens back to a heavy-duty theorist named Louis Althusser, who was
crazy, and it's... a tricky concept, that I'll get into more another
time.
So it's
impossible to create objectively- and that's okay! If it were
possible, I'd be out of a job, and I'd probably be way bored. Most of
what is you're actually going to analyze is the subjective
information the creator has added, unaware of their own bias.
A tame
example is the author Carl Hiaasen; if you read one book by Hiaasen
that has strong environmentalist overtones, maybe that was just a
theme for that particular book. But if you read 5 or 6 Hiaasen books,
you see they ALL have environmentalist overtones, because the dude
wants to save the environment. Noble!
A more
sinister example is Frank Miller. He sure loves writing women as
prostitutes! (Relevant
webcomic.) What the hell does that imply about his thoughts on
women? I can tell you, it's not good.
Important
note: All theory was written by a human being. So if you read theory,
you still have to apply a critical eye to what they're saying,
because THEY aren't objective either. Years ago I read a Marxist
paper from the 1950s that was overall underwhelming (which is why I
can't remember the title or author, though I can dig it up if any
body's interested). The only “insight” from it I remember was
that the gentleman who wrote it insisted women who protested still
had to do their hair and make-up and dress nicely because they owed
it to society to look beautiful. My reaction was phffff
because
it's obvious now
how
flippin' stupid that is. But that's earnestly what he- and society-
thought at the time. Probably a lot of men and women reading that
thought “Golly, this fella sure knows a lot about politics, he
probably know about dames too!”
Important
note that keeps me up at night: The idea that theorists can't be
objective because they're part of a cultural system, and therefore
don't know their own biases, was created by a human
and is therefore subject to bias.
Does this mean it's actually possible that somebody,
someday could
write without bias, but nobody will ever try because we're held back
by the idea that no human can ever be objective? And then my HEAD
EXPLODES.
I'm going to use this as an opportunity to clarify something about my
theoretical background: I've always focused my studies on gender
theory, which includes feminism and queer theory and lots of other
stuff about men and women and those in-between. Though I have also
studied Marxism, post-colonial theory, African American
criticism (that's about racism!), and others, I haven't focused on it
as much. They're weaker points in my abilities and I'm working on
becoming more fluent, but it's something to be aware of.
Also: if you disagree with something I say, it is important that you
say so. Discussion is a big part in improving critical thinking
skills because it allows us access to different points of view, and
can help expose our own subjective blindnesses. The more you
communicate and discuss ideas, the better your ideas become. That's
true for ALL your ideas, not just theory.
2.)
Why study popular culture? Media and the Zeitgeist
Zeitgeist
is a German loanword which means time-ghost. I just want to get that
out of the way because I think it's awesome.
Okay,
what zeitgeist actually means is the general spirit characteristic of
a certain era, amongst a certain nation or group. For example, it can
be said that part of the zeitgeist of the 1950's is paranoia and
fear. It's easy to understand why; it was the time of the Cold War,
where your neighbors were Russian commie spies, and every day you
weren't bombed into oblivion was a good day.
But how
do we know what the atmosphere in the 1950s- or whenever- was
like? By looking at the media that was produced and popularized! The
movie Invasion of the Body Snatchers gets made and becomes
popular in the 1950s where people are terrified that anyone
they know could be a traitor. Most likely, it would never have been
made in the 1940's, and even if it did,
it wouldn't have been as popular because it wouldn't have tapped into
the subconscious fears or energies of the time. In the 1950s, though,
people are drawn to it. A few people see it, but it connects to them.
It feels very real, because it reflects what's happening to them.
They tell their friends about it, and soon everybody's seen it. So
many people saw IotBS that it become part of our pop culture- even if
you haven't seen the
movie, you probably have an idea what it's about. This movie is part
of the United States National Film Registry because it's “culturally,
historically, or aesthetically significant” - aka, it's part of the
zeitgeist.
In
general, the zeitgeist I'm studying is American culture in
contemporary/near-modern times. Partially because that's what I think
is interesting, and partially because that's the best time to study
in order to change things in the future. Knowing the 1950s sucked
isn't going to help us today. Knowing that we still live in a society
that thinks all African Americans are criminals can
help
us today if
we
actively work to counter those views.
3.)
We live in a binary society
Good/Bad.
Male/Female. White/Black. Straight/Gay. Rich/Poor. Notice anything
analogous in these pairings? The ones on the left of the / are things
our society values, the ones on the right of the / are things our
society devalues, or even hates. The good news is if you're a rich,
straight, white male, you're probably doing alright!
However,
I'm going to guess that at least one of those words doesn't describe
you. Sucks, huh? Well, it doesn't have to suck! Because the idea of a
binary society is completely fucking stupid, and once you're aware of
it, it really starts to unravel.
Okay,
so, there are LOTS of issues with this sort of thinking, but I'm
going to focus on two.
Issue
1: It's completely fucking stupid. No, okay, seriously, it's
completely arbitrary, and it changes so often that it's an almost
useless tool when engaging with actual human beings.
Issue
2: If you're paying attention, you'll notice that those binary lists
leave out a lot of
people – trans-gendered people, asexual people, Asians, Latinos,
Native Americans, biracial people, multiracial people, bisexuals,
people whose morality isn't absurdly simplified... I could go on. The
second biggest problem with the binary system is it's oversimplified.
Nobody's all good or all bad. Honestly.
But
the fact is, for most media (and for a hell of a lot of our society),
these people simply don't exist.
Even when TV shows have strong, well-rounded African-American
characters, you're probably SOL on any other People of Color. Unless
you have an episode where you go to China Town! Also, there are
people who honestly don't think somebody can be bisexual, and that
blows my mind.
4.)
You're probably racist and sexist and classist and more, and why
that's okay.
We
can't help but be influenced by the zeitgeist we were raised in. I
try to remember this whenever my father flirts with waitresses and my
grandfather tells me to get back in the kitchen with my grandma. I
can't get angry at them, because that's how they were raised. I can
get
angry at them for being unwilling to change, which they
are.
And
that's what this all boils down to:
It's
okay to be prejudice, it's not okay to stay
prejudice.
Joss
Whedon is my favorite example of this. Towards the last season of
Buffy, people started realizing that... there really haven't been
that many black people in the show (I can name one from the
first 6 seasons, Forrest Gates, who is not a great guy). As important
as realizing it, people calling Whedon out on it.
Next we
get Firefly, which has two
amazing,
well-rounded black characters. Good job, Whedon! You learned from
your mistake, and the nerd canon is way richer for it.
Only...
for a universe
that's supposed to be half Chinese, Firefly sure doesn't have any
Asians. It's suggested that the Tams are supposed to be Asians
(Tam being a form of 'Tan', a common Chinese surname, and also
they're a Doctor and a Martial Arts Master), but
they're played by a couple of white people, so no points awarded.
Interestingly, in Dr. Horrible's Sing-Along Blog: Commentary! The
Musical, Maurissa Tancharoen's song (my favorite, surprise) is titled
“Nobody's Asian in the Movies” and is very relevant.
By the
time we get to Dollhouse, Whedon has developed a pretty rich cast!
Not only are there multiple People of Color main characters, but a
lot of the one-shot and background characters are PoC as well. Good
work, Joss Whedon! People pointed out his deficiencies, he heard them
and made changes accordingly. That's a big part of why I love him.
If
you're reading this, it means you understand that it's possible
that
maybe there's a thing or two in your view point that could be
tweaked to make you a better person. That's amazing. That's
fantastic! If everybody in the world were like you, we could
eradicate prejudice within a decade.
And if
it were as easy as admitting that you have prejudice, then we could
get it done in a year, two years tops. But it's not. You have to work
at it, watch critically, and actively engage with cultures and people
who are different from you, even when it's awkward or uncomfortable
or you feel like an ass.
You
will be a better person for it, I guarantee.
I know you're not really "watching" Dollhouse in this (righteous, empowering) post, but I am officially requesting a more expansive reading of the series in a future installment.
ReplyDeleteSpecifically, I'm wondering how we understand the dolls as "characters" relative to their racial background given that said background has largely been erased in favor of tabula rasa. As you note, there is greater *visible* diversity, but the very premise of the show seems to erase much of that diversity in terms of providing characters who provide insight into questions of representation on a cultural level. The premise of the show is well-suited to address the feminist problematic raised by the "dolls" (while also sexualizing them, of course), but my memories of the series suggest very little was done in terms of race as it related to the "wipe" process.
Just a quick thought as I prepare to head back into the prelim cave!
Cheers,
Myles
Solid point! You could make the same argument about the characters in Firefly as well, since being in a sci-fi future pretty much detaches them from any earthly social context.
DeleteHmm... I'll definitely have to think on that awhile. I've been meaning to re-watch Dollhouse, now I've got a good reason to do so!